Laminated study guide

**AVAILABLE ON APRIL 10, 2023**

A love story about Dust Bowl heroes who didn’t leave for California

Harlan Singer, a harmonica-playing troubadour, shows up in the Thompson family’s yard one morning. He steals their hearts with his music, and their daughter with his charm. Soon he and his fourteen-year-old bride, Sharon, are on the road, two more hobos of the Great Depression, hitchhiking and hopping freights across the Great Plains in search of an old man and the settlement of Harlan’s long-standing debt.

Finding shelter in hobo jungles and Hoovervilles, the newlyweds careen across the 1930s landscape in a giant figure eight with Oklahoma in the middle. Sharon’s growing doubts about her husband’s quest set in motion events that turn Harlan Singer into a hero while blinding her to the dark secret of his journey. A love story infused with history and folk tradition, Harpsong shows what happened to the friends and neighbors Steinbeck’s Joads left behind.

In this moving, redemptive tale inspired by Oklahoma folk heroes, Rilla Askew continues her exploration of the American story. Harpsong is a novel of love and loss, of adventure and renewal, and of a wayfaring orphan’s search for home―all set to the sounds of Harlan’s harmonica. It shows us the strength and resilience of a people who, in the face of unending despair, maintain their faith in the land.

The strangeness of life and death play out in a fictional American small town

Lyla Mae Muncy meets her first love at Falls Creek Baptist Assembly Summer Bible Church Camp―and regrets it on their awkward first date. After years of being nagged about lumpy gravy, abused wife Lois pulls out a shotgun to wrap up breakfast her way. In a tender moment, an old man speaks from beyond the grave about his wife’s final goodbye at his funeral. Experience, memory, and town-consciousness bind this collection of ten stories spanning twenty-five years in fictitious Cedar, Oklahoma. From the fears and discoveries of childhood, through the revelations of adolescence, into the troubled years of adulthood and decline into old age and death, Rilla Askew uncannily makes each of her characters’ experiences our own.

Professional wheel man Charles "Shake" Bouchon is too nice a guy for the life he's led and not nice enough for any other. Fresh out of prison, he's supposed to deliver a package to Vegas strip-club owner Dick "the Whale" Moby and pick up a briefcase for Shake's former boss and lover, Alexandra Ilandryan, pakhan of L.A.'s Armenian Mob. But when the "package" turns out to be Gina, a wholesome young housewife, Shake decides to set her free--a move as noble as it is boneheaded.

Now Shake and Gina are on the run in Panama--looking to unload the briefcase's unusual contents while outmaneuvering two angry crime bosses, a heartbroken ex-linebacker, and a sadistic thug plagued by erectile superfunction. And Shake's learning that Gina is less wholesome and more complicated than he initially imagined.

Having left his life of crime behind, former getaway driver Charles "Shake" Bouchon has finally realized the dream of owning his own restaurant in Belize. Unfortunately, to do so he's had to go deep in debt to a murderous local drug lord named Baby Jesus. And when Shake thwarts an attempted hit on an elderly customer named Quinn, things go from bad to worse.

Next thing Shake knows, his restaurant's gone up in flames and he's on the run from Baby Jesus, two freelance assassins, and a beautiful but ferocious FBI agent. Out of options, Shake has to turn to the mysterious Quinn for help. Suddenly Shake's up to his neck in a dangerous score that he'll never pull off unless he can convince an even more dangerous ex-girlfriend to join him.

Edgar Award Nominee for Best Paperback Original Novel

In the summer of 1986, two tragedies rocked Oklahoma City. Six movie-theater employees were killed in an armed robbery, while one inexplicably survived. Then, a teenage girl vanished from the annual State Fair. Neither crime was ever solved.

Twenty-five years later, the reverberations of those unsolved cases quietly echo through survivors’ lives. A private investigator in Vegas, Wyatt’s latest inquiry takes him back to a past he’s tried to escape—and drags him deeper into the harrowing mystery of the movie house robbery that left six of his friends dead.

Like Wyatt, Julianna struggles with the past—with the day her beautiful older sister Genevieve disappeared. When Julianna discovers that one of the original suspects has resurfaced, she’ll stop at nothing to find answers.

As Wyatt's case becomes more complicated and dangerous, and Julianna seeks answers from a ghost, their obsessive quests not only stir memories of youth and first love, but also begin to illuminate dark secrets of the past. But will their shared passion and obsession heal them, or push them closer to the edge? Even if they find the truth, will it help them understand what happened, that long and faraway gone summer? Will it set them free—or ultimately destroy them?

American Journal presents fifty contemporary poems that explore and celebrate our country and our lives. 22nd Poet Laureate of the United States and Pulitzer Prize winner Tracy K. Smith has gathered a remarkable chorus of voices that ring up and down the registers of American poetry. In the elegant arrangement of this anthology, we hear stories from rural communities and urban centers, laments of loss in war and in grief, experiences of immigrants, outcries at injustices, and poems that honor elders, evoke history, and praise our efforts to see and understand one another. Taking its title from a poem by Robert Hayden, the first African American appointed as Consultant in Poetry to the Library of Congress, American Journal investigates our time with curiosity, wonder, and compassion.

Among the fifty poets included are: Jericho Brown, Natalie Diaz, Matthew Dickman, Mark Doty, Ross Gay, Aracelis Girmay, Joy Harjo, Terrance Hayes, Cathy Park Hong, Marie Howe, Major Jackson, Ilya Kaminsky, Robin Coste Lewis, Ada Límon, Layli Long Soldier, Erika L. Sánchez, Solmaz Sharif, Danez Smith, Susan Stewart, Mary Szybist, Natasha Trethewey, Brian Turner, Charles Wright, and Kevin Young.

Duende, that dark and elusive force described by Federico García Lorca, is the creative and ecstatic power an artist seeks to channel from within. It can lead the artist toward revelation, but it must also, Lorca says, accept and even serenade the possibility of death. Tracy K. Smith's bold second poetry collection explores history and the intersections of folk traditions, political resistance, and personal survival. Duende gives passionate testament to suppressed cultures, and allows them to sing.

* Winner of the 2002 Cave Canem Poetry Prize *

You are pure appetite. I am pure Appetite. You are a phantom In that far-off city where daylight Climbs cathedral walls, stone by stolen stone. --from "Self-Portrait as the Letter Y"

The Body's Question by Tracy K. Smith received the 2002 Cave Canem Poetry Prize for the best first book by an African-American poet, selected by Kevin Young. Confronting loss, historical intersections with race and family, and the threshold between childhood and adulthood, Smith gathers courage and direction from the many disparate selves encountered in these poems, until, as she writes, "I was anyone I wanted to be."

Antiracism is a transformative concept that reorients and reenergizes the conversation about racism—and, even more fundamentally, points us toward liberating new ways of thinking about ourselves and each other. At its core, racism is a powerful system that creates false hierarchies of human value; its warped logic extends beyond race, from the way we regard people of different ethnicities or skin colors to the way we treat people of different sexes, gender identities, and body types. Racism intersects with class and culture and geography and even changes the way we see and value ourselves. In How to Be an Antiracist, Kendi takes readers through a widening circle of antiracist ideas—from the most basic concepts to visionary possibilities—that will help readers see all forms of racism clearly, understand their poisonous consequences, and work to oppose them in our systems and in ourselves.

Kendi weaves an electrifying combination of ethics, history, law, and science with his own personal story of awakening to antiracism. This is an essential work for anyone who wants to go beyond the awareness of racism to the next step: contributing to the formation of a just and equitable society.

Set in rural Oklahoma during the late 1980s, Where the Dead Sit Talking is a startling, authentically voiced and lyrically written Native American coming-of-age story.

With his single mother in jail, Sequoyah, a fifteen-year-old Cherokee boy, is placed in foster care with the Troutt family. Literally and figuratively scarred by his mother's years of substance abuse, Sequoyah keeps mostly to himself, living with his emotions pressed deep below the surface. At least until he meets seventeen-year-old Rosemary, another youth staying with the Troutts.

Sequoyah and Rosemary bond over their shared Native American background and tumultuous paths through the foster care system, but as Sequoyah's feelings toward Rosemary deepen, the precariousness of their lives and the scars of their pasts threaten to undo them both.